What Did The Oscars Portend?
The 2019 Oscars, in the final analysis, was the second lowest viewed Oscars event in it’s history. We know why. The movie industry no longer celebrates a positive America but dwells in revealing a racist America. The skinny little director, Spike Lee, in his plum purple suit, matching soft cloth cap, and weird jewelry, was the very epitome of uncontrolled racism and hate.
We’re told Spike is a “Hollywood celebrity.” What makes him one? Because he’s black and makes movies or because he’s loud, flashy with an anti-American agenda and serves well the Hollywood left’s propaganda message? It’s hard to tell really.
I did not watch the awards ceremonies from beginning to end but, to escape inane Progressive car insurance ads, pleas for monetary gifts for this needy organization or that, I would flip to the Oscars and did so just as Spike Lee won his Oscar for Best Adapted Screenplay. I missed his bitter tantrum when his movie, Black Klansman didn’t make the cut for best picture.
Watching his acceptance performance, talking about love not hate, diversity and blah, blah, while spewing racist hate in nearly every sentence, convinced me that Spike Lee is not a real celebrity, just a faux one, a ridiculous Hollywood character that the liberals who are Hollywood, consider to be only an appendage to celebrity, barely tolerable because of his dissimilarities.
Spike is tolerated because he is a boorish, loudmouthed, brash, flashy fellow who can condemn others and reject criticism because he can safely hide behind the shield of racism. Actually, do we really think that anybody outside the Hollywood film industry really cares what Spike Lee, or any of the other anti-American leftists entertainers really think? Mostly, Hollywood is all about themselves, that’s why the industry is moving out, some here to Georgia.
The one movie I shall take the time to watch is the Best Picture Oscar winner, Green Book. with black actor Mahershala Ali, who won an Oscar for best supporting actor and white actor Viggo Mortenson, who didn’t. They did a masterful job! I’ve watched trailers of the movie and it’s one I look forward too not because it has a theme overcoming racism but because I heard some real good dialog, saw some great acting and I am sufficiently acquainted with that era of Southern history to know what it was all about and not be conned into believing otherwise.
I enjoyed driving Miss Daisy some thirty years ago too, for exactly the same reasons. Unlike Driving Miss Daisy, the driver in Green Book was a tough white guy, a bouncer from New York who need the job and was ambivalent about who hired him. He certainly recognized the racial differences but his passenger was the better man at least professionally. It all works out.
So, why the vitriol about this movie? There were three other movies in Oscar contention that addressed racism: Black Panther, a feel good cartoon about a black Super Hero in a blacks only dream world of good guys; Roma, about the labor travails of poor Latina’s, and Spike Lee’s Klansman. I believe what really got Spike’s racist goat in a tither was the fact that the Green Book, about racial reconciliation in a Jim Crow south, was directed by a white guy. Ouch!
All the rest of those artistic categories I could care less about. Doubtless they were well deserved and good on them but, if the Spike Lee train of thought permeates deeper into the conscious fabric of what is left of Hollywood, the whole shebang could soon die. Americans want to see good movies, not Leftist propaganda. Why can’t they understand that?
Remember, freedom is the goal, the Constitution is the way. Now, go get ‘em!